{"id":1347,"date":"2016-05-23T18:33:13","date_gmt":"2016-05-23T16:33:13","guid":{"rendered":"http:\/\/spamspam.net\/?p=1347"},"modified":"2016-08-26T18:49:07","modified_gmt":"2016-08-26T16:49:07","slug":"festival-de-cinema","status":"publish","type":"post","link":"https:\/\/www.scops.casa\/en\/2016\/05\/festival-de-cinema\/","title":{"rendered":"Cinema Festival"},"content":{"rendered":"
Boris Lehman general tour!<\/strong>\"Autosave-File<\/a>Spam organized a film festival<\/strong> around the Belgian filmmaker\u00a0Boris Lehman<\/a><\/strong>\u00a0who came May 20, 21 and 22\u00a0<\/strong>to present two feature films and 5 short films in four different locations. We were welcomed by the FJT The Birds<\/strong>, THE Scene <\/strong>and the Roommate from Jura.<\/strong><\/pre>\n
\n
Friday May 20
\nThe FJT The Birds<\/strong> \u2013 8:30 p.m.
\n>\u00a0 Like Adrienne<\/em>, 115 minutes<\/p>\n
Saturday May 21
\nThe roommate from Jura<\/strong> \u2013 4 p.m.
\n>\u00a0 Dumb as a carp<\/em>, 38 minutes
\n>\u00a0 Things that connect me to beings<\/em>, 15 minutes
\n>\u00a0 The last (s)scene<\/em>, 14 minutes<\/p>\n
Sunday May 22
\nThe Scene<\/strong> \u2013 2:30 p.m.
\n>\u00a0 Magnum Begynasium Bruxellense<\/em>, 145 mins
\nSpam<\/strong> \u2013 8:30 p.m.
\n>\u00a0 Beautiful cruise<\/em>, 35 minutes
\n>\u00a0 Red MUDH<\/em>, 35 minutes<\/p>\n
Program to download<\/a><\/p>\n<\/div>\n
\"a<\/a>
\nLike Adrienne<\/span><\/strong>
\n16 mm \u2013 color \u2013 115 minutes \u2013 Belgium \u2013 2000<\/span><\/p>\n
This film is a gift. A gift to a lady. A lady I love and who loves me. Adrienne is not my mother. She is not Jewish.
\nShe is 77 years old, the age limit for reading the adventures of Tintin.<\/p>\n
The film is divided into seven lessons and a few digressions: the swimming lesson, the driving lesson, the cooking lesson, the sewing lesson, the botany lesson, the etiquette lesson, and the cinema lesson, the only one given by Boris, while all the others are given by Adrienne.<\/p>\n
Adrienne lived in Iran for fourteen years, with her husband, a surgeon.
\nworking in the holy city of Meched. When her husband died, she
\nreturns to Brussels to be with her children and grandchildren. Having learned the Persian language and having devoted herself to collecting and translating folk tales from the Khorasan region, she ended up putting a little bit of the Orient in her pocket and a lot of sunshine in her stories. If cinema may have changed Adrienne's life, Adrienne will have worked to change mine.<\/p>\n
\"MUET<\/a><\/span><\/strong>
\nDumb as a carp<\/span><\/strong>
\n16 mm \u2013 color \u2013 38 minutes \u2013 Belgium \u2013 1987<\/span><\/p>\n
From the pond to the plate, the journey and destiny of a carp, among others. This one will be eaten stuffed during a festive meal. Stuffed carp "Polish style", also called "Gefilte Fish" in Yiddish, is a traditional dish among Ashkenazi Jews. It is prepared sweet and served cold at the beginning of the meal. The head of the fish is reserved for the head of the family.<\/p>\n
Shot in Brussels at the time of the Jewish New Year (Rosh Hashanah), the film focuses on showing the culinary preparations, as well as the ritual and prayers that accompany them, emphasizing the sacrifice of fish and death in the concentration camps.<\/p>\n
\u201cIn your fishponds, in your ponds
\nCarp, may you live long
\nDoes death forget you,
\nFish of melancholy \u00bb
\n(Guillaume Apollinaire)<\/p>\n
\"CHOSES<\/a>
\n<\/span><\/em>Things that connect me to beings<\/strong><\/span>
\n16 mm \u2013 color \u2013 15 minutes \u2013 Belgium \u2013 2010<\/span><\/p>\n
The film presents itself as a Pr\u00e9vert-style inventory. His title
\nis inspired by the Bedside Notes of the Japanese writer Sei Sh\u00f4nagon who was in the first half of the 11th century lady-in-waiting at
\nservice of Empress Teishi. We obviously think of Georges
\nPerec, major writer of the OuLiPo group, but also at Dada or Fluxus. The images and words follow one another like in a poem.<\/p>\n
Since Ren\u00e9 Magritte's famous \u201cceci n'est pas une pipe\u201d, we know well that the evidence is misleading, that words, like images, can be diverted from their primary function.<\/p>\n
To name, to list, that is to say to invent the object by the image and the word, by filming it. Act of creation, as God did in the beginning with Heaven and Earth, with Adam and Eve.<\/p>\n
I show the camera some objects from my daily life (which are also allegories) that belonged to others that I loved or
\nencountered to finally observe and conclude that \u201cI am the sum of everything others have given me\u201d.<\/p>\n
Sentimental museum of which I would be the guardian. Each object, each \u201cthing\u201d has its story. What mysterious link can there be between these things? Between these things and me?<\/p>\n
\"LA<\/a>
\nThe last (s)scene,<\/span><\/strong> The Gospel according to St. Boris<\/span>
\n<\/span><\/strong>16 mm \u2013 color \u2013 14 minutes \u2013 Belgium \u2013 2003<\/span><\/p>\n
The dialogues are taken from the Gospel according to St. John.
\nThe apostles are almost all filmmakers, friends (and disciples) of Boris Lehman who have come to perform in front of the last artist's house-studio, still standing facing the new buildings of the European Parliament. The role of Judas is played by Claudio Pazienza and Boris Lehman embodies Christ. The staging is inspired by the fresco painted by Leonardo da Vinci in the convent of Santa Maria delle Grazie in Milan.<\/p>\n
The film was shot in a few hours, on a Sunday morning in front of an incredible, almost Hollywood setting, in a street completely razed by real estate developers, just before the police arrived.
\n<\/strong><\/p>\n
\"Magnum<\/a><\/p>\n
Magnum Begynasium Bruxellense
\n<\/strong><\/span>16 mm \u2013 black and white \u2013 145 minutes \u2013 Belgium \u2013 1978<\/span><\/p>\n
Living chronicle of the inhabitants of the B\u00e9guinage district, as well as
\nnamed by what it is located on the site of the former
\nBrussels beguinage. Conceived as an encyclopedic inventory, the film is made up of around thirty chapters nested within each other like so many pieces of a puzzle, or even like a termite mound with numerous and crossed galleries. It takes place in space and in the interstices of a day, beginning at dawn and ending at night.<\/span><\/p>\n
\"UNE<\/a>
\nA<\/strong> Beautiful cruise
\n<\/strong>16 mm \u2013 black and white \u2013 35 minutes \u2013 Belgium \u2013 2008<\/span><\/span><\/p>\n
Filmed in Paris and St-Denis s\/Seine.<\/span>
\nA boat trip to celebrate a birthday with friends
\nbecomes the pretext for a film shoot. Family film which very quickly turns into a fable and a biblical tale. This is the story of Noah's Ark, braving the flood and saving some remains<\/span>
\nof humanity, which washes up on the Mounts of Ararat.
\n<\/span>
\nWith a host of stars and the author himself, in the role of Noah. HAS<\/span> take in the first and second degree. With humor and
\ngravity.<\/span><\/p>\n
\"Red<\/a>
\nRed MUDH<\/strong>
\n16 mm \u2013 black and white \u2013 35 minutes \u2013 Belgium \u2013 2006<\/span><\/span><\/p>\n
Return of the son (Julien) to his father (Ari\u00e9), who offers him rabbit as a meal, but the<\/span> son only wants honey. The father goes to look for some in the hive but gets stuck inside.<\/span> Fairy tale or pastiche, it will all end badly. By the murder of the father. Then comes<\/span> a hunter who will try to bring some order and who will end up praising chocolate.<\/span><\/p>\n
Piece by Claude Schmitz created at the sponge factory in 2006.<\/span><\/p>","protected":false},"excerpt":{"rendered":"
Tourn\u00e9e g\u00e9n\u00e9rale Boris Lehman !La Spam a organis\u00e9 un festival de cin\u00e9ma autour du cin\u00e9aste belge\u00a0Boris Lehman\u00a0qui est venu les […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ngg_post_thumbnail":0,"footnotes":""},"categories":[46,47,21,80,22],"tags":[],"class_list":["post-1347","post","type-post","status-publish","format-video","hentry","category-cinema","category-experience","category-images","category-poesie","category-soirees","post_format-post-format-video"],"_links":{"self":[{"href":"https:\/\/www.scops.casa\/en\/wp-json\/wp\/v2\/posts\/1347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.scops.casa\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.scops.casa\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.scops.casa\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.scops.casa\/en\/wp-json\/wp\/v2\/comments?post=1347"}],"version-history":[{"count":6,"href":"https:\/\/www.scops.casa\/en\/wp-json\/wp\/v2\/posts\/1347\/revisions"}],"predecessor-version":[{"id":1353,"href":"https:\/\/www.scops.casa\/en\/wp-json\/wp\/v2\/posts\/1347\/revisions\/1353"}],"wp:attachment":[{"href":"https:\/\/www.scops.casa\/en\/wp-json\/wp\/v2\/media?parent=1347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.scops.casa\/en\/wp-json\/wp\/v2\/categories?post=1347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.scops.casa\/en\/wp-json\/wp\/v2\/tags?post=1347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}