{"id":1196,"date":"2016-04-04T18:45:31","date_gmt":"2016-04-04T16:45:31","guid":{"rendered":"http:\/\/spamspam.net\/?page_id=1196"},"modified":"2016-05-09T16:31:09","modified_gmt":"2016-05-09T14:31:09","slug":"samedi-21-mai","status":"publish","type":"page","link":"https:\/\/www.scops.casa\/en\/samedi-21-mai\/","title":{"rendered":"Saturday May 21"},"content":{"rendered":"<p><strong>At the COLOC&#039; DU JURA<\/strong><br \/>\nPlace de Lattre de Tassigny \u2013 Besan\u00e7on \u2013 4 p.m.<em><br \/>\n<\/em><strong><span style=\"color: #008080;\"><a href=\"http:\/\/spamspam.net\/wp-content\/uploads\/2016\/04\/MUET-COMME-UNE-CARPE3.jpg\" rel=\"attachment wp-att-1224\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1224 size-full\" src=\"http:\/\/spamspam.net\/wp-content\/uploads\/2016\/04\/MUET-COMME-UNE-CARPE3.jpg\" alt=\"MUET COMME UNE CARPE3\" width=\"250\" height=\"163\" \/><\/a><\/span><\/strong><strong><span style=\"color: #008080;\"><br \/>\nDumb as a carp<\/span><\/strong><br \/>\n<span style=\"color: #000000;\">16 mm \u2013 color \u2013 38 minutes \u2013 Belgium \u2013 1987<\/span><\/p>\n<p>From the pond to the plate, the journey and destiny of a carp, among others. This one will be eaten stuffed during a festive meal. Stuffed carp &quot;Polish style&quot;, also called &quot;Gefilte Fish&quot; in Yiddish, is a traditional dish among Ashkenazi Jews. It is prepared sweet and served cold at the beginning of the meal. The head of the fish is reserved for the chef of<br \/>\nfamily.<\/p>\n<p>Shot in Brussels at the time of the Jewish New Year (Rosh Hashanah), the film focuses on showing the culinary preparations, as well as the ritual and prayers that accompany them, emphasizing the sacrifice of fish and death in the concentration camps.<\/p>\n<p>\u201cIn your fishponds, in your ponds<br \/>\nCarp, may you live long<br \/>\nDoes death forget you,<br \/>\nFish of melancholy \u00bb<br \/>\n(Guillaume Apollinaire)<\/p>\n<p><em><span style=\"color: #339966;\"><a href=\"http:\/\/spamspam.net\/wp-content\/uploads\/2016\/04\/CHOSES-QUI-ME-RATTACHENT-AUX-\u00caTRES.jpg\" rel=\"attachment wp-att-1225\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1225 size-full\" src=\"http:\/\/spamspam.net\/wp-content\/uploads\/2016\/04\/CHOSES-QUI-ME-RATTACHENT-AUX-\u00caTRES.jpg\" alt=\"CHOSES QUI ME RATTACHENT AUX \u00caTRES\" width=\"500\" height=\"335\" srcset=\"https:\/\/www.scops.casa\/wp-content\/uploads\/2016\/04\/CHOSES-QUI-ME-RATTACHENT-AUX-\u00caTRES.jpg 500w, https:\/\/www.scops.casa\/wp-content\/uploads\/2016\/04\/CHOSES-QUI-ME-RATTACHENT-AUX-\u00caTRES-300x201.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><br \/>\n<\/span><\/em><span style=\"color: #339966;\"><strong>Things that connect me to beings<\/strong><\/span><br \/>\n<span style=\"color: #000000;\">16 mm \u2013 color \u2013 15 minutes \u2013 Belgium \u2013 2010<\/span><\/p>\n<p>The film presents itself as a Pr\u00e9vert-style inventory. His title<br \/>\nis inspired by the Bedside Notes of the Japanese writer Sei Sh\u00f4nagon who was in the first half of the 11th century lady-in-waiting at<br \/>\nservice of Empress Teishi. We obviously think of Georges<br \/>\nPerec, major writer of the OuLiPo group, but also at Dada or Fluxus.<br \/>\nThe images and words follow one another like in a poem.<\/p>\n<p>Since Ren\u00e9 Magritte&#039;s famous \u201cceci n&#039;est pas une pipe\u201d, we know well that the evidence is misleading, that words, like images, can be diverted from their primary function.<\/p>\n<p>To name, to list, that is to say to invent the object by the image and the word, by filming it. Act of creation, as God did in the beginning with Heaven and Earth, with Adam and Eve.<\/p>\n<p>I show the camera some objects from my daily life (which are also allegories) that belonged to others that I loved or<br \/>\nencountered to finally observe and conclude that \u201cI am the sum of everything others have given me\u201d.<\/p>\n<p>Sentimental museum of which I would be the guardian. Each object, each \u201cthing\u201d has its story. What mysterious link can there be between these things? Between these things and me?<\/p>\n<p><strong><span style=\"color: #333399;\"><a href=\"http:\/\/spamspam.net\/wp-content\/uploads\/2016\/04\/LA-DERNI\u00c8RE-SC\u00c8NE.jpg\" rel=\"attachment wp-att-1229\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1229 size-full\" src=\"http:\/\/spamspam.net\/wp-content\/uploads\/2016\/04\/LA-DERNI\u00c8RE-SC\u00c8NE.jpg\" alt=\"LA DERNI\u00c8RE (S)C\u00c8NE\" width=\"450\" height=\"316\" srcset=\"https:\/\/www.scops.casa\/wp-content\/uploads\/2016\/04\/LA-DERNI\u00c8RE-SC\u00c8NE.jpg 450w, https:\/\/www.scops.casa\/wp-content\/uploads\/2016\/04\/LA-DERNI\u00c8RE-SC\u00c8NE-300x211.jpg 300w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><br \/>\nThe last (s)scene,<\/span><\/strong><span style=\"color: #333399;\"> The Gospel according to St. Boris<\/span><strong><span style=\"color: #333399;\"><br \/>\n<\/span><\/strong><span style=\"color: #000000;\">16 mm \u2013 color \u2013 14 minutes \u2013 Belgium \u2013 2003<\/span><\/p>\n<p>The dialogues are taken from the Gospel according to St. John.<br \/>\nThe apostles are almost all filmmakers, friends (and disciples) of Boris Lehman who have come to play in front of the last artist&#039;s house-studio left standing facing the new buildings of the European Parliament.<br \/>\nThe role of Judas is played by Claudio Pazienza and Boris Lehman<br \/>\nembodies Christ.<br \/>\nThe staging is inspired by the fresco painted by Leonardo da Vinci in the convent of Santa Maria delle Grazie in Milan.<\/p>\n<p>The film was shot in a few hours, on a Sunday morning in front of an incredible, almost Hollywood setting, in a street completely razed by real estate developers, just before the arrival of the<br \/>\npolice.<strong><br \/>\n<\/strong><\/p>\n<p><strong><span style=\"color: #008080;\"><em><span style=\"color: #000000;\">&#8211;<\/span> Free entry<span style=\"color: #000000;\"> &#8211;<\/span><\/em><\/span><\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>\u00c0 la COLOC&rsquo; DU JURA Place de Lattre de Tassigny &#8211; Besan\u00e7on &#8211; 16h Muet comme une carpe 16 mm [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1196","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.scops.casa\/en\/wp-json\/wp\/v2\/pages\/1196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.scops.casa\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.scops.casa\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.scops.casa\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.scops.casa\/en\/wp-json\/wp\/v2\/comments?post=1196"}],"version-history":[{"count":19,"href":"https:\/\/www.scops.casa\/en\/wp-json\/wp\/v2\/pages\/1196\/revisions"}],"predecessor-version":[{"id":1324,"href":"https:\/\/www.scops.casa\/en\/wp-json\/wp\/v2\/pages\/1196\/revisions\/1324"}],"wp:attachment":[{"href":"https:\/\/www.scops.casa\/en\/wp-json\/wp\/v2\/media?parent=1196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}